Opalite is very hard and can have a wet appearance upon breaking creating the illusion of an opal. I don’t really see this wet appearance in the darker, and not at all in the white.

Common opal fractures into tiny pieces/crumbs upon hitting, and opalite does not. This seems to better fit the description. When I break a slab with a hammer the white (softer) does not really break into very small pieces, where as the darker (harder) areas do.

Here is as best a couple of pics of the breaks on each. I am guessing the white areas to be about a 5 and the dark to be 6 or better.

It is not uncommon for common opal to be associated with moss and even plume agate. It can be found in white, tan, brown, green and peach.

A couple of cab pics.

The harder dark material took a great polish using tin oxide. The softer white colored material did not.  At the time of this writing have not yet tried another polish. Thinking some Holy Cow. Other than that, I am not familiar with a better polish. Prior to polishing these came off a worn 600 silicon carbide belt.

One thing I noticed while cutting preforms was that as I got towards the end of the cut, maybe an inch or sometimes even two, the slab would break. Not because of any fractures. It would consistently break in line with the direction of the remaining cut. I had to cut very slowly as I moved towards the end of the cuts. Can’t say I have ever experienced this with any other material before. Just sort of odd…

The material comes from Northwestern Missouri. I have read of an Ogallala Formation through that area. The Ogallala opal can be of these same colors as well as colorless, and cherty. Some of it is called moss opal because it contains a manganese oxide impurity that forms these dark, branching deposits that look like small mosses in the opal.

Comments ?

I just received this pictorial guide to over 150 types of agates and jasper.

“There are many excellent books currently on the market describing banded agates, but there are few with an emphasis on the other structural varieties. There are virtually no current books with images and descriptions of the wide array of fine jaspers presently available. This book tries to fill that void with 240 pages and over 1000 photos and diagrams describing the structural features of both Agates and Jaspers.

It provides an introduction to their genesis, details of their structural characteristics, and a multitude of macro and micro photographs. It’s a stating-point for some of the current theories of their formation, and contains references to more in-depth studies.

No other variety of material offers so many combinations of patterns and spectral colors. Sit back and now an enjoy the complexity and beauty locked within these stones.” (Taken from the rear cover)

I am really enjoying this excellent book, and just wanted to share it here..

Can be ordered via www.theimage.com or www.theimagebooks.com

Wanted to share a really neat tutorial on how to set a square gemstone cabochon by one of our forum members, Bob of Bobs Premium Cabs shared with us.

Bezel setting a stone with sharp corners is somewhat more difficult than an oval because if it isn’t done properly the excess metal puckers at the corners.
Bezel setting is often called a “rub” over setting. This is because some people use a burnisher to “rub” the bezel “over” the stone. It is quite difficult to do this because you can’t get enough pressure especially in the corners to fully push the bezel over the stone. Because the surface of the burnisher is polished it also makes it more difficult to control the burnisher.
There is a bezel pusher that has a round wood ball handle with a small square metal rod to push the bezel over. It has such a small surface that it introduces dents and creases in the bezel.
My favorite tool is a bezel rocker. It is a wood handle with a metal blade. See full tutorial here……

What makes the group gemstone cabochon sets a little more interesting, is the way they are cut from the original mineral slab. Somewhat similar to making a quality pair of earrings. Except instead of using back to back slabs for matching grains on each earring, these sets are cut from the same area off an area from the slab.. Done patiently, a nice contour of the grains will flow through the entire group of gemstones within the settings group.

Lot of fun to do.. They are among the most rewarding when finished.. Just something about them that I really enjoy.. I am thinking of giving a set a whirl myself.. I am still trying to get a little better at my soldering before I tackle one of my own sets!

Any way, just wanted to do a little blog entry. Below are a few examples.. Many more in store. To more easily find just these sets. Use the search box and key word “set”. Happy to do any kind of special requests for similar sets from a variety of interesting and unusual minerals.. Feel free to contact me with a request or questions.

Was finally fortunate enough to have a member from our local club come over and walk me through some basic silver soldering. She was a big help. Little things like working the torch properly, using the flux correctly, etc…

Any way, felt the urge to share the results of this Rainforest Jasper pendant. Still have a long ways to go before I can actually offer some up for sale, but getting there!

I wanted to try another like 1Rockhounds Biggs Jasper piece with the bezel tape on the outside of the backing. Except I tried another attempt at using flattened wire for the backing again instead of cut out sheet backing.

The order of the images are out of order, but the step are correct.. Hope not too confusing..

Step One Image B shows how I fit the shaped wire to the inside of the stones perimeter. Works out once the wire is flattened out as it spreads.
Any smaller a gauge and I realized that needed a little more flattened surface area to be able and have enough extra room to play with when fitting it to the stones size.

Step Two Image A shows the 12 gauge round wire slightly flattened.

Step Three Image D shows the wire flattened and the perimeter filed to the match the stones outer edge.

Step Four Image F shows the flattened wire ends soldered together.

Step Five Image G and H shows it cleaned up a bit and additional filing to the inside of the flattened wire so it is somewhat uniform in shape on the inside.

Step Six Image I shows the bezel tape shaped to the outside of the flattened wire backing with the ends soldered together. It only took me three tries to get this part right ! Also important to file down any excess solder on the inside of the bezel tap joint. Otherwise will have problems when trying to solder it to the outside of the backing.

Initially I use a fairly stiff wire bristle wheel followed up with the 3M bristle discs. These discs work well..

Step 7 Image K.. I like to use silver solder paste for filling the space between the bezel tape and backing. Just seems to work nicely. I am sure any other solder would work just fine.

Step 8 Image L is from the back after soldering the tape to the backing. One problem I had was the flattened wire ends came apart and became un-aligned (lower right of image L). I tried to re-heat and press back in place but it would not budge. Stuck with it as it is.. It also resulted in not having a completely nice flat backing after sanding the whole thing on a flat surface.

Images M and N are after I used bezel pusher followed up with a burnishing tool to press the tape against the stone.

This is where things went further South on me too. As the bezel pusher created little indentations that I could not smooth out with the burnishing tool. Next time will pass on using the bezel pushing tool and just use the burnishing tool.

This was because I did not fit the outside of the backing “perfectly” to the outside of the stone. The result was extra gap that forced me to push the bezel tape further than would have been necessary if it was fit properly to begin with.

On this particular setting I am going to metal glue a bail to the top back once I can order some from Rio. Normally I would solder the bail on, but became impatient and went ahead and set the stone today. Not something will be getting in the habit of doing in the future… Just got in a hurry to see how it was going to look and knew I could not order any bails for a while.

Had been making some with fair success, but going to start spending a few extra dollars on some nicely finished ones from now on..

The end results show I need more practice !!

Thanks for reading and feel free to share any of your own soldering trials, tribulations or even successes with me !

That has changed. Another recent evaluation shows that I am going to loose some where between 20 and 30% of monthly income.

What was once a casual and non stress business/hobby now has to be picked up a notch !

Where I once was not quite as concerned about expenses and inventory, I now have to pay much more attention to even the minor details. I use to not be quite as concerned about what the competition was up too, now it is key to the difference between a potential sale and a sale.

I am very grateful that I have a good online presence. So it’s not like I have to build that from scratch.

Pricing is going probably be the biggest issue. I am pretty sure all will be well. It’s just the realization that I have to treat this much more like a business, and really concentrate on things. The online tools are there…

Realizing my own personal changes as a result of stock market issues, and or just the overall recession that we are all finding ourselves dealing with just what other consideration are important.

What about the jewelry designer experiencing similar situations. Cutting costs and expenses. Making every penny count.

What that in itself means to someone like myself who supplies them. It feels like a potential chain effect. Designers are going to be looking for the very best pricing and also the very best quality to go with it.

I also have just started to try my hand at designing my own line of jewelry. My last online order for silver and misc supplies made me pay close attention to what I was buying. What do I absolutely need, what can I make due with a little less of, etc…  So I am getting a taste of what a professional jewelry designer might be experiencing in these tougher times.

I feel that what was a high end cabochon will have to come down in price to be competitive and affordable to designers who are in the same boat as I am.

They are not going to want to cut corners on stone quality. So I am expecting some serious price reduction to make the sales to them.

Truth is, I am ok with that. As a cutter, there is room to reduce pricing on even the highest end cabochons and still profit.

Not sit on gemstones because my ego insists that it is worth something more. I would rather sell those stones and make a little less.

As a cutter, and or designer, are you finding the recession effecting you in similar ways. If so what kind of change are you presently or do you foresee making to be competitive and still profitable for your business.

I would very much like to hear your expectations as a designer who is feeling the pinch as a result of the markets, job loss, and other things that are a result of the recession that our Country is in and how it may be effecting your online business activities.

Maybe your like myself. Finding yourself in need of taking what was more of an online past time or business/hobby into a more serious online business to supplement your income.  Maybe even actually in hopes of  turning it into a serious and primary source of income.

What can a cutter like myself do to help you make your jewelry more competitive to your customers in these difficult times when people are thinking twice about spending their extra money on jewelry.

There are options, including possibly buying in quantity and obtaining discounts that way. Dealing with a single lapidary shop like myself can and will result in substantial discounts. Repeat customers are of great value. We are likely to offer discounts based on repeat business. Purchasing rough yourself and sending it to my shop is another way to save towards gemstone purchases. Bartering has always been highly recommended method of two businesses getting what each needs and can both profit from in the short term.

Thanks for stopping in and reading !

I think just like myself, a lot of brand new online lapidary related business owners find ourselves somewhat overwhelmed with the many different possibilities that just sorta seem to present themselves to us as we embark on SEO related techniques.

These practices are completely different in application and technique today than they were when I first gave thought to developing my online presence a little over a year ago.

Different in technique and application, but the basic practices are much the same. Not much sense in sharing in detail. Today my main primary online sites although different are similar in a lot of ways.

I have gone through a couple of different selling sites and have now settled into a great shopping cart. Gone through several blogging software packages and have now finally settled into one that is excellent.

Online jewelry design related business owners like myself who have at least these two basic and very important type of sites up and running properly have just by the nature and course of events that lead to accomplishing them, found ourselves also educated about a few other very important things along the way.

Without a doubt we were told the importance of participating in at least a couple of forums that discussed jewelry design related topics. We learned the importance of joining in discussions and starting topics of interest related to our jewelry related niches. The forums we choose can be a little different for each of us depending upon what exactly our jewelry design related niches are.

From the time I first started out right up until just recently, my jewelry design related niche solely consisted of the sale of gemstones to jewelry designers. Because of that I settled into a couple of fun forums that were a mix of jewelry making related topics.

Still today, this “practice” is still the same, although the technique has changed because I started a lapidary related forum of my own. Still…. the need to mingle with others who share my same interests is extremely important. One big bonus is that I am truly having a great deal of fun. Although I have not actually met any of our forum members in person, we have connected. Connected with many who I have come to feel share a friendship as well as our common interests.

Let there be no mistake though. No matter if I had created a forum of my own or not, the need to mingle and connect with others is a must. Making participation in a couple of forums a daily routine is beneficial because sales can and usually do result from participating.

We also without a doubt learned yet another important, almost daily practice that would become just as routine to us as forum participation. “Social networking”.

Not just any social networking, but a group of people that socialize within a community. Unlike a forum, these communities consist of many different categories of network groups. This was much harder for me to get an understanding of than was the straight forward and easy to understand forum process. When I would participate within the arena of a forum, it all made perfect sense. You post a topic that you want to share or learn from and or reply to someone elses post.

Social networking did not come so easy for myself, and that is really putting it quite mildly. With the exception of the very first community that was introduced to me. It is the Squidoo community. At least this Squidoo community did make sense. Although….. when a person becomes a member and creates a “lens” which is your home page within the community, the interaction with other “lensmasters” is different from that of truly socializing within a network of community members. It is really just a community of home pages, or lenses.

Squidoo was really the only community that I found and participated in where at least it made some sense. You could add your jewelry design related lens to other jewelry design related groups within the Squidoo community. The ideal result for myself was for an actual designer to see my gemstone supply lens and hopefully purchase from me after visiting my lens.

This was not really social networking. I was sure that social networking had to be somewhat similar to participating within a forum. No matter which social network I signed up with, they just make absolutely no sense at all. Networks like StumbleUpon, Delicious, and others just seemed completely unorganized. I could not see how social networking was suppose to improve upon my internet presence in any way.

Finally I gave up on the whole thing…..

Then recently while trying to come up with some ideas for my forum members to use for their own developing of an online presence, I posted several social networking communities and shared how important it is to participate within one or two. Yes, for myself too !

I could hardly preach such a thing without at least giving it another whirl myself. I tried to list social networks that in one way or another had something to do with lapidary, gemstones, jewelry, and or jewelry design. While going through and looking at each of the networks that I listed for members to consider, I found one called Ning. The Ning community consists of a wide range of social networks. They have several jewelry and jewelry design related networks within the community. There are several perfectly fine jewelry design networks to pick from.

It was not long before I had created a page about myself. Then I headed off to the main page for the network I joined. I picked the Jewelry Design Network. I don’t really want to go into lengthy details about the group. I just really wanted to share that the Ning community networks made sense to me right away. The Jewelry Design Network consists of a variety of different kinds of jewelry design related members.

I am really glad that I found a jewelry design related network that has other online lapidary businesses as well as a variety of other crafts people. In no time at all I found myself joining in and discussing lots of interesting topics.

Joining this network is turning out really a-ok. Turning out to be a lot of fun. Not to mention that I can report some sales directly related because of participation within a social network. A network that finally made sense to me.

Just felt like adding a blog entry with a few of my own trials, tribulations and success with trying to get started in social networks. There are many out there to pick from. What my have been awkward and or uncomfortable for me to participate in, may well suit someone else just fine. The bottom line, is that it really is something that everyone should really include in our arsenal of tools/sites towards developing and maintaining the best possible jewelry design related online presence that we possibly can.

One of my recent pieces started out so well…… I was smiling through the entire process of shaping and soldering the three step bezels for this three piece necklace.

Then came the last two solders for the little bails on the top of the two hanging pieces. That is when disaster set in ! After three or four attempts the metal became so oxidized that they became unusable.

Both of the bails kept falling off, and had to re-heat and try again.

On the last attempt on one piece, it was such a disaster, that I melted part of the bezel !

Your first question to me is probably asking if I used one of the 3rd arms with clamps. That was in fact the root of the disaster. I was trying to hold them in place with a pair of pliers in one hand and the torch in the other. I had overheated the clips on a previous project so they lost the springy ability to clamp.

I was impatient and, well….. the results show it !

I do not have enough of the same matching step bezel to give it another whirl yet. Next Rio order !

Just felt like sharing my recent disaster. Hopefully I can return with a positive update once I get some more bezel tape !

Thanks for reading. Maybe you have a similar soldering disaster to share ?

TaoGem.com

This mostly Azurite with druzy mixed with a little Malachite rough I purchased at a local fair. I had been befriending the owner who together with his wife spend the summer setting up their jewelry booth throughout the Pacific Northwest.

He has been rock hounding and cabbing for several years and had brought a few pieces of this Azurite with druzy rough with him this trip.

I had been looking for some druzy material for a customer. One thing for sure. When trying to shop for “druzy”, ya sure don’t want to search the internet using that term. Everyone wants an arm and a leg for decent druzy.

If you spend the time shopping rough, and patiently look closely at certain mineral types, you can find people selling various rough with druzy. They are not selling it with the intent of labeling it “druzy”. It’s the only way that I have found to stumble upon druzy at reasonable prices.

Here is a pic of a piece that was about four inches round. Just for fun, here is a link to a thread within the fourm about this and some other interesting and unique druzy minerals as well.

Any way here are a couple of pics prior to slabbing while trying to also cut out the areas of druzy.

After cutting out the primo areas of druzy and a few nice slabs, began to really start playing !

When we first started talking about druzy on the forum, I began hunting for ideas on shaping cabochons in a way that would let me blend the druzy into the finished cab. Something I was not at all familiar with until I began searching the internet for “druzy” topics and gemstone sites.

As with the druzy rough, the price of a nice cabochon with exposed druzy are rather pricey as well. It’s just my two cents worth, but many seemed overpriced.

Some of the druzy areas had sort of a dirty appearance to it. I am still trying to find out if there is some type of chemical that will remove it. Although I am not entirely sure that beneath the stained area are nice clean druzy crystals, or if what I see here on this cab is just all there is and nothing more.

One other thing I ran into right off the bat was dealing with a lot of porosity. As a result I began experimenting with Opticon, and also some epoxies to fill these pitted areas. I would have to coat the entire surface of the stone and then completely sand that all off without over sanding resulting in cutting right on through the filled pits. Very difficult to do with this soft Azurite mineral.

Here are a couple of pics where you can see the coatings and the attempts to sand them clean. None of them turned out at all. That really narrowed down the amount of quality cabs that were yielded from the entire piece of rough. A lot of the rough was just not working out for cabbing.

Here is probably the best of the Azurite with druzy cabochons that turned out well enough that I was comfortable selling to a customer.

The next thing to try is to accent other minerals with the druzy areas cut from the original piece of rough. Similar to this Imperial Stichtite with the Zoisite crystal accents.

I just cut this high grad Sodolite cab with the same intent. I think may well do the same with it, except use the Azurite druzy in place of the Zoisite crystals in the above set.

I have some of the Azurite druzy areas left over. So if something like this is interesting enough that you would like information about how to have me cut you a gemstone, feel free to contact me for details.

Hope you enjoyed. Be sure to leave any comments. I would enjoy talking more about this or your experiences with similar attempts at these types of minerals and druzies.

The black Tourmaline really did not cluster or run any more or different through out the piece of rough.

As you can see from this image.

So I just sliced a couple of small slabs off for my first attempt at a cab. Thought might just post a blog post for anyone who might stumble upon it. Hopefully maybe like the finished cab as much as I do!

Really beautiful material…..

Another somewhat similar mineral is this Rutiliated Quartz. I have yet to slice a piece from this. I am sure will post an image of a finished cab on the forum once I do.

As you can see it too has very similar rutiliated lines running through it as the Tourmaline except these are gold in color. This will make some beautiful cabs as well.

As usual, should either of these appeal to you like the Tourmaline does to me, feel free to contact me for details on how to get a cabochon cut from either of them.